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Saturday, March 21, 2015

Misterwives Concert Review

Image result for misterwives our own house album cover
Sometimes, when you go to a concert, you want to be blown away by ultra-talented, no-mistakes-made, steady performers. Even though they have performed countless shows, these  bands almost always give some variation of the obligatory thank you speech (“We are so grateful,” “we are humbled by our fans,” “This never gets old for us”).  Somehow, the authenticity of these statements fades for me, realizing that this unexciting Michigan lull in the tour is just one of many, many shows they have done. However, when I saw Misterwives at St. Andrews Hall in Detroit, only 3 days into their very first ever headlining tour, there was no denying their raw excitement, gratitude, and humility.
Misterwives, fronted by the beautiful Mandy Lee, is a indie pop group from New York City that just released their first full-length album on February 24th of this year. They took the stage in Detroit with a synchronized set of dance moves accompanying their album title track, “Our Own House”. Now, normally I would have thought this was incredibly cheesy and forced, but take my word for it--it worked. Throughout the rest of the concert, Mandy provided many more scripted jokes, including my personal favorite: leading into “No Need for Dreaming” with a corny quip asking her bandmate to be pinch her to awaken her from her dream come true. Honestly,though Mandy is just so damn cute that everything she does works, and when you watch her, you can’t help but share in her happiness and excitement.
The band members visibly thrived off of the crowd’s energy, and the song that received the best response was the most popular single from their original EP, “Reflections.” Then, midway through the show, Mandy impressed the crowd by showing off her impressive pipes in a call and response performance with the trumpet. The second half of their concert changed the pace with a more serious tone. Mandy got emotional sharing the song “Queens,” a track very close to her heart that she wrote about growing up in her hometown in New York with the same name. The band also made a statement about gender equality with their song “Not Your Way,” urging the crowd to speak up for what we believe. Mandy pumped out push ups and her lyrics promised that she wasn't “growing up to be a trophy wife.” Lastly, the band closed by satisfying our requests for an encore with a crowd pleasing cover of Mark Ronson and Bruno Mars’s “Uptown Funk” and my personal favorite up-tempo song on their album--”Imagination Infatuation.”
By their second tour, many veteran vocalists have figured out how to hold back on the belting just enough to preserve their voices for the whole tour. Mandy, on the other hand, gave it all she had at the Detroit show. It seemed as if she was pouring all her excitement and passion into every note she hit--and the woman can hit quite an impressive range. So much so in fact, that they had to cancel their subsequent shows in Minneapolis and Kansas City due to a voiceless front-woman!

I hope that, amid the pressures they’re sure to face from managers and record labels, they can find a way to stay true to themselves and keep this fresh passion they have for performing. I highly encourage you to check out their new album, and if they come through your town, check out their live show for yourself.
~Erin Koren

Monday, January 5, 2015

Objectively the Best of 2014

This is something that I really just have to do. If I'm not contributing to the massive ensemble of year-end lists, then I've failed as a supposed music blogger. It's been a pretty interesting year in the music world: several Twitter beefs, Mark Kozelek's endlessly hilarious antics, the end of Death Grips, a Neutral Milk Hotel reunion tour, etc. But beyond the drama, a lot of really talented artists took huge steps forward, and that's really what this is about.

These are the albums that I really loved this year, and I think they're in order, the last album being my absolute favorite of 2014.

Prepare for some serious adjective spewage.

Cymbals Eat Guitars - LOSE



It's a little derivative, but solid nonetheless. If you want something new and mind-blowing, you may want to take a pass on LOSE (at the risk of missing out on some gems). If you want to hear a band that wears their indie rock influences on their sleeves, then this is the album for you. 

tUnE-yArDs - Nikki Nack



Merrill attacks Nikki Nack with the same degree of quirkiness, this time with more elaborate harmonies and more provocative songwriting. 

The Wytches - Annabel Dream Reader



"Surf doom," not "psychedelic." One of the few good contributions to the surf revival of 2014. 

Grouper - Ruins



"Ruins" is ambient and folksy, a meandering instrumental album. The sonic manifestation of the word "delicate" or the words "meandering instrumental album." 

Angel Olsen - Burn Your Fire for No Witness



Stripped down and heartfelt. Angel Olsen keeps it honest, and her lovely, gravelly voice complements her guitar strumming wonderfully. 

The Hotelier - Home, Like No Place is There



As far as sheer emotional force goes, The Hotelier stood unmatched in 2014. Housebroken will most likely be the best song about a dog that you've ever heard. Thanks to Peter for turning me on to this one. 

Iceage - Plowing Into the Field of Love



Man, it's so good... What do I even say? I don't know how Iceage went from 2013's "You're Nothing" to later come out with this jangly behemoth, but I'm glad that it happened.


Open Mike Eagle - Dark Comedy



This album is hilarious and thought-provoking. My introduction to art rap. I listened to this on repeat for most of the summer. Hellfyre Club!

Run the Jewels - Run the Jewels 2



RTJ returns for the most in-your-face hip-hop album of 2014. Explosive, politically charged, unapologetic. Killer Mike will make you laugh, blush, and do that thing where you frown a little bit and nod your head, all in the span of one verse.

D'angelo and The Vanguard - Black Messiah



"Black Messiah" barely made it out in time for music critics to even listen to, but it somehow still made it onto every other "best of 2014" list. Rightfully so, I'd say. Soul and R&B, beautifully produced and executed. 

Perfume Genius - Too Bright



No family is safe when Mike Hadreas sashays. Per usual, Perfume Genius brings gentle piano to accompany intimate vocal melodies. But this time, Hadreas shifts the focus and meets hate with honesty and defiance.

Flying Lotus - You're Dead!



A fantastically holistic approach to hip-hop instrumental productions. I've seen some people call this a jazz album, and I won't try to say that they are wrong. Improvisation meets ethereal production for a hugely progressive step forward in FlyLo's discography.

Milo - A Toothpaste Suburb



Easily the most quotable album of 2014. Milo is unashamedly well read, a representative for the Tumblr generation in hip-hop, an outright champion of lyricism and humor, and so much more. Hellfyre Club strikes again!
Busdriver - Perfect Hair



Another Hellfyre Club kingpin. Busdriver hits hard and fast, bringing the same lyrical mastery as Milo and Open Mike Eagle with twice the intensity. Plain and simple, Busdriver is a genius on Perfect Hair. He asks the good questions, too, like "what does hip-hop check in the gender box?"

Thar she blows! As always, I would love to know what you were listening to this year. Did I miss anything good? If you disagree with anything, let's fight about it! Have a good 2015. I love you!

- Kane