Maiden Voyage is no hidden gem, in that it's a common, go-to tune for jazz bands and small ensembles. Most people versed in jazz are aware of the song, or at least its composer. Many have likely heard or played renditions themselves. But maybe you haven't heard the original song. Or, it's possible you don't listen to jazz and have no idea what I'm talking about. Regardless, you would be well served to give this masterpiece a(nother) listen.
I first became aware of this song when a group of jazzy musicians and I simmered our souls in its simple chord changes for hours on end. Its simplicity is highly conducive to free-spirited improvisation, yet the changes and skipping rhythms have a weirdness to them that catches the ear and keeps interest.
Hancock's writing is open-ended, and the recording's drummer, Tony Williams, takes advantage of his freedom. Tom-rolls and off-beat symbol hits abound in the background of Freddie Hubbard's melancholy trumpet lines, which soar and dive in volume and bite.
Nothing in Maiden Voyage will blow you away quite like Coltrane's sax or Davis' trumpet. Likewise, you won't find guitar lines worthy of Metheny or Montgomery. No, this song isn't packed with technical prowess. A listener seeking this has many other avenues to satiate their desires.
What the song does offer is an inviting groove, glued together by Hancock's prancing piano. Put it on in the background. Or, turn down the lights, shut the blinds, lock the door, and revel in its mastery. Either way, I think you'll find the nuances of this song captivating.
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